AWARDS/GRANTS

2016 New Mexico History Scholar: Structuring the World: Architectural Orientation as a Strategy for Social, Spatial and Temporal Connectedness in the Coalition and Classic Period Pueblos of the Galisteo Basin, NM; History Scholarship Award, funded by The New Mexico Office of the State Historian, The Historical Society of New Mexico, and The Center for Southwest Research at the University of New Mexico.

TALKS

The Architecture of Chaco Canyon, NM, Renesan, Santa Fe, NM, Spring 2019.

Structuring the World: Ancestral Puebloan Architecture of the Galisteo Basin, NM, The State Archives of New Mexico, Santa Fe, NM; June 2016.

FEED FORWARD/FEED BACK, part of: BMW Guggenheim Lab Urban Think Tank and Gathering Space for Generating New Ideas for the Future of Cities, The Solomon R. Guggenheim Museum, NYC, with SPURSE, 2011

Drawing and Thinking about Architecture, The University of New Mexico School of Architecture + Planning, Albuquerque, NM, 1997.

SELECTED EXHIBITIONS

Drawings, Center for Contemporary Art, Santa Fe, NM, 2013

Participatory City, Solomon R. Guggenheim Museum, NYC, with SPURSE, 2013.

Mobile Apparatus for Temporality Research, CAFK+A: Contemporary Arts Forum Kitchener + Area, Kitchener, ON, with SPURSE, 2011

Drawings, Artwalk, Hong Kong, 2011, 2009.

Ocea(N): In the Absence of Nature: Mobile Apparatus for Ocean Commons, part of: Undercurrents: Experimental Ecosystems in Recent Art, The Whitney Museum of American Art @ The Kitchen, NYC, with SPURSE, 2010

MATR: Mobile Apparatus for Temporality Research + Time Drills, Bemis Center for Contemporary Arts, Omaha, NE; (with SPURSE)

Adagio: December 27, 2009, part of: 20th International Juried Exhibition (Elizabeth Sussman, The Whitney Museum of American Art, NYC, Curator) Viridian Artists Gallery, NYC, 2009

Works on Paper: Hannes Brunner, Charles Matz, Jean Pike, Gallery 61, New York Institute of Technology, NYC, 2008-09

Drawings, Tao Gallery, Hong Kong, 2008

RED, Gallery 61, New York Institute of Technology, NYC, 2008

Faculty Exhibition, Gallery 61, New York Institute of Technology, NYC, 2007

Soundlines, part of: The National AIDS Memorial, California College of the Arts, San Francisco, CA, 2005

Faculty Exhibition, New York Institute of Technology Gallery, NYC, NY 2005 

The Wave Sanctuary, part of Multiple Memorials, Viridian Artists Gallery, Inc., NYC, 2003

Sound Vessels, part of World Trade Center Site Memorial Competition, Lower Manhattan Development Commission, Online Exhibit, ongoing.

Virga, The Santa Fe Art Institute, Santa Fe, 2001

Small Works on Paper, University of New Mexico School of Architecture + Planning, Albuquerque, NM, 1998 (solo)

A Body of Work, The University of New Mexico School of Architecture + Planning, Albuquerque, NM 1997 (solo)

PUBLICATIONS

SPURSE (Iain Kerr, Jean Pike, and Matthew Friday; introduction by Petia Morosov) Eat Your Sidewalk! Cookbook/Codebook for the Activation of Public Space and the Co-Production of the Commons, 2017.

Pike, Jean. Experimental Drawing: Drawing to Steal, in Pressman, Andy. Professional Practice 101: A Compendium of Business and Management Strategies in Architecture. New York: John Wiley and Sons, Inc., Second Edition, 2006.Center for Contemporary Art, Santa Fe, NM, 2013

Pike, Jean. Overlaps and Relocations: New Architecture at Site Santa Fe Biennial, Lucky No. 7, Artist Organized Art, Online Journal: June 2008.

Pike, Jean. Conflux 08: The New Beauty: 2008 Conflux Festival Challenges Ideas of Public Space. Artist Organized Art, Online Journal: September 2008.

Pike, Jean. J. The Drawing Center’s The Big Draw at The World Financial Center, NYC, Artist Organized Art, Online Journal: September 2008.

Pike, Jean. Why Draw [Now]? in Pressman, Andy. The Architect's Portable Design Handbook: A Guide to Best Practices. New York: McGraw-Hill, 2001.

PUBLISHED DESIGN WORK

Kapp, Matt. A Century Downtown: A Visual History of Lower Manhattan, powerHouse Books, 2020.

Levine, Lester. 9/11 Memorial Visions: Innovative Concepts from the World Trade Center Memorial Design Competition. McFarland Press, 2016.

Paul, Rebecca. NYC Design Collective Shows Communities How to Cook with Ingredients form the Sidewalk, Inhabit New York City, August 31, 2012.

Paul, Rebecca. SPURSE & The BMW Guggenheim Lab Explore NY’s Most Astonishing Post-Natural Landscapes. Inhabit New York City. Online review, September 9, 2012

Pohl, Ethel Baraona. There Are Other Worlds. Domus Magazine, November 2012.

Fournier, Anik; Lim, Michelle Y.; Parmer, Amanda; Wuife, Robert; editors. Undercurrents: Experimental Ecosystems in Recent Art. New York: The Whitney Museum of American Art, 2011.

Baker, Sarah. Time Travel Review of Mobile Apparatus for Temporality Research at the Bemis Art Center. The Reader. July 2, 2009.

Klein, Jennie. SPURSE’S Expanded Field: Research, Systems Collective Activism and Participation, Art Papers, October, 2009.

SPURSE. Apparatus for Sensing Temporality. College Art Association’s Art Journal. Winter 2009.

Studies in Light and Form: The University of New Mexico School of Architecture Student Projects at Great Sand Dunes National Monument, Colorado. Documentary Video; ©2002 Stretch Productions.

Reeve, Agnesa. The Small Adobe House. Salt Lake City: Gibbs Smith, 2001.

Rieder, Morgan. HABS Recording Today, in Recording a Vanishing Legacy: The Historic American Buildings Survey in New Mexico 1933-Today. Santa Fe: Museum of New Mexico Press, 2001. (architectural drawings)

Ivey, James E. In the Midst of a Loneliness: The Architectural History of the Salinas Missions. Salinas Pueblo Missions National Monument Historic Structure Report, Southwest Cultural Resources Center, National Park Service, Professional Papers No. 15, 1988, Santa Fe, NM. (maps, illustrations)

Rylander, Mark. The Importance of Perspective Drawing in the Design Process: Philip Grausman’s Drawing Class at Yale. The Architectural Student Journal, Summer 1985. (drawing on cover)